Musical Instruments

Any meaningful discussion with an recording engineer will inevitably morph into a discussion about microphones. Just as a closet full of shoes is never enough for a lot of the women I’ve known, a closet full of microphones is rarely ever enough for most recording engineers. There are a lot of different types of microphones and there are a many, many brands, shapes and sizes to pick from. I hope to at least get you started with a road-map of what to look for in microphones and I apologize in advance for setting you on this path! If you’re set on recording as a hobby or career, there’s a very good chance that you’re going to get slightly obsessed with microphones.

The iLoud Studio Monitor Speaker is a small package that can pack a hefty little punch. It’s meant for listening to music like other wireless speakers, but it also has special features. If you’re a musician looking for a small keyboard amp or software-driven guitar amp, or if you need to check mixes on the go to make sure they’ll translate well to other systems, the iLoud has you covered.

In June of 2013, Roland announced a revamp of their popular CUBE line of guitar amplifiers. The CUBE line has been around since 1978 and has been the bread and butter of many practice and recording sessions. Randy Rhoads, Joe Walsh and Ritchie Kotzen are some of the artists who have used the amplifiers in the studio and on stage.   Roland has been a solid brand in the music industry for decades. The CUBE line of amplifiers has a great history and has served many guitarists well. Of all the smaller practice amps out there, I have to admit that the offerings from the CUBE line sure look cool. From what I heard from them at NAMM, they also SOUND great too.