The number of Amplifiers on the market is nothing short of mind-boggling. From classic tube amplifiers and their reissues to modern hybrid options that incorporate digital effects and features, it’s hard to make sense of it all. This article will focus on the basics and help you select the appropriate model for your needs. By focusing on your budget, your style preferences, and the environment you’ll be playing in, you’ll most likely make the best possible purchasing decision. As time goes on and you cultivate your style, you might even pick up a few more—to cover various musical situations!
Selecting an amplifier based on your budget
There are many great choices for all sorts of budgets out there. The cost of an amplifier depends on many factors and isn’t a real indicator of the sound quality and satisfaction you’ll get when playing it. First of all, the type of amplification plays a big role in the pricing. Most of the transistor models cost less than their tube-driven counterparts. This is because the components and assembly techniques are way more widespread than vacuum tubes. They also have costly, intricate construction requirements.
Affordable transistor models
A great advantage of going for more affordable transistor models is that they lend themselves to many digital possibilities. These include effects, sound banks, USB connectivity, and built-in practice options. A lot of units are modelers. This means that they reproduce the sounds of in-demand amplifiers digitally. Nowadays, you can recall these amps with an app or on-board navigation. This adds a lot of value to an already inexpensive product.
All the famous manufacturers have these types of products in their catalogues. For example, when I started out, I had a Marshall MG. While it wasn’t a modeler, it served me really well in my development years, because it sounded good and even afforded a few effects for me to start playing with. Fender and Vox have many choices as well. The Fender Mustang series, for instance, is extremely popular and has been the starting point for many people. Vox has a knack for making quality products at a low price point. The VX15GT, among others, provides great bang for your buck. You can read and watch my in-depth review here. Lastly, lesser-known builders, such as Joyo, are packing their products with desirable features. The DC-15, which I reviewed here, has cool drummer accompaniments built-in and has a very low price.
More expensive, traditional amplifiers
If you want to explore the traditional, old-school world, tube models are the way to do it. The building techniques used here are rather conservative, and the on-board options are limited. On the flip side, the promise is to deliver pure, organic tones that reciprocate the intentions of the player. Playing softly tames the circuitry, while digging in overdrives it. This offers an exciting, dynamic experience that a lot of guitarists gravitate to. A lot of professional and famous musicians are very picky about amps, but most seem to gravitate towards these analogue options.
The most famous and widespread builders are Fender, Marshall, and Vox. They are responsible for an incredible amount of recorded music throughout the years, and they’re highly revered. The Fender Hot Rod Deluxe is a workhorse amplifier—affordable and versatile. The Vox AC15/AC30 has awesome gain possibilities. Lastly, Marshall’s history is synonymous with rock music, and a plexi-style model will take you to tone Nirvana.
Musical style considerations
It’s really important to align your amp choice with the musical style you prefer. For example, if you get a high gain monster, you won’t have the proper tool for your country or jazz playing. These two styles require a rich, clean tone, which isn’t the main focus in highly distorted amplifiers. Every style has usual suspects, and it would be wise to read up on what your favourite players are using.
Here are a few common pairings. Keep in mind, though, that there aren’t any strict rules when it comes to choosing a product, so take these with a grain of salt. A lot of jazz guitar has been recorded through high-powered Fender amps, such as the Twin Reverb. Country is another genre where Fender is commonplace, but modern legends such as Brad Paisley have been known to venture outside of this trend. You’ll see him playing through Vox models from time to time. Blues players definitely love their Fenders—be they either blackface or tweed varieties. Rock is highly Marshall-centric, and for good reason. That mid-range punch has a lovely bark we know and love. Metal has been oscillating between the English sound and the high-gain nature of American models by Mesa-Boogie, Randall, and others.
There are many other manufacturers out there. Just make sure not to get too caught up in all the marketing and lingo. We’re meant to play the guitar, after all.
Depending on your environment, you’ll need to consider the amount of volume you’ll need. Back in the day, tube amplifiers came with preposterous power ratings that have slightly skewed guitarists’ perception of what is necessary. PA systems weren’t very refined for a certain period, and bands were doubling as the PA with their on-stage equipment. There are many ways that the wattage affects the playing experience. For example, the more powerful a unit is, the more headroom it has. This means that you’ll need to crank it to high volumes (intolerable is the right word in reality) to get the proper sustain, gain structure, and reciprocity in your unit.
These points are why I don’t recommend high power ratings in tube amplifiers, even if you play with a “loud drummer”. You’ll be hamstringing your own playing and basically never using the amp as it was meant to be used. For home practice, anything from 5 to 15 watts is good. If you plan on performing at any venue short of arenas and huge outdoor stages, the 22-watt concept popularized by Fender presents a lot of versatility. The Deluxe Reverb model is extremely popular for this reason and has birthed many variations and imitations.
For transistor models, the perceived volume is usually lower, and you’ll need more wattage to properly hear yourself in rehearsal and on small to medium stages. My Marshall was 50 watts, and it was a good balance for any situation. Don’t shy away from going for a higher output, because companies usually correlate higher power ratings to bigger speaker sizes. A 12-inch speaker is great for guitar amplification and really adds to the tone in a pleasant way.
Hopefully, this article helps you narrow down the possibilities. It’s no secret that guitarists end up amassing an enormous amount of gear. It’s just a part of the journey. A bittersweet reality is that you’ll eventually grow and change as a player, and you’ll refine your preferences and needs. My advice is to keep an open mind, keep playing and exploring all the wonderful options that are available to us nowadays. When you look back, you might surprise yourself at how much you’ve learned through musical experiences.
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